Angus, Jennifer
Atyeo, Brian
Arntzen, Arnt
Baron, Joan
Bennett,Linda
Benyei, Andrew
Bott, Nicholas
Bradford, Kate
Brady, Lee
Brinton, Karol Dalyce
Crighton, Lucille
Darby, Darryl
Downs, Michael
Drouin, Jose
Duma, William
Enns, Maureen
Genn, Robert
Griffiths, Ted
Grisdale, Frank
Goerg, Richard
Gottselig Susan
Haire, Joe
Heath, Mel
Heine, Jerry
Helwig, Alice
Hinz, Roy
Jackson, John
Jacobsen, Franziska
Jenkins, Cathryn
Jenkins, Fran
Johnson, Gail
Kauppi, Linda
Laycock, Brent
Lawrence Peter
Leman Kellie
Malin, Lynn
Mravik, Richard
McCarthy, Doris
McKay, Peter & Melody
Michael, Judy
Moors-Hanrahan, Kathleen
Montpetit, David
Nellemann, Margit
O'Young, Kayo

Ostoich, Dianne

Phelan, Jan
Poitras, Jane Ash
Posyniak, Teresa
Prouse, Rod
Reid, Jack
Reilly-Roe, Alisha
Reynolds, Ursula
Robertson, Janice
Ruby Radish
Schumm, Tim
Selfridge, Carol and Richard
Sinclair, Robert
Shaughnessy, Peter
Solar, Fran
Stein Janet
Toti
Thierfelder, Vivian
Vest, Jim
Vandenbrink, Jake
Wacko, Wendy
Waidman, Allan
Waterbeek, Annette
Way, Diane
Wylie, Alan



 


SUSAN GOTTSELIG

 

 

 

 

Born in the U.S. in the late 1940's and then living in east Africa until 1960, Susan immigrated to Canada in 1974 and currently lives and works in her studio in the Rocky Mountains of Canmore, Alberta. She exhibits locally and internationally; her work is included in many corporate and private collections.

Susan began her art education at Everett College and completed her B.F.A. at the Alberta College of Art and Design. Susan has attended many conferences and workshops and teaches classes in glass, textiles, print making.

Her work is primarily sculptural in nature and is most often realized in glass. She utilizes the inherent properties of her medium to capture the essence of her images. The human figure, nature and the environment are frequent themes. Sources for ideas and concepts come from her life experiences and perceptions.

The gestural representation of the human form reflects an expression of joy and celebration. The tall, linear figures capture the graceful beauty of the human figure and the movement and brilliant color of hot glass. Susan's’s sculptural work seeks to release image and form from molten glass.
Each piece begins with the gathering of molten glass from a 2000 degree melting furnace onto a steel rod. Colored shards, frits and powders are used to create the color patterns. Clear glass is gathered over this, encasing the color within. The arms head and gestural pose are then sculpted with hand tools. The process involves stretching and shaping the hot glass to the final form. When the sculpture is finished it is placed in an annealing kiln to slowly cool to room temperature over 16-30 hours. After annealing, each piece is cut, ground, polished and signed.

Displayed in groups, the figures convey the relationships of humankind one to another. Alone, a solitary figure symbolizes the individual identity of each of us.